How to Cancel Seeing the Invisible

Learn how to cancel Seeing the Invisible subscription on iPhone, Android, Paypal or directly.

Table of Contents:

1. Cancel on iphone
2. Cancel on android
3. Cancel on Paypal
4. Cancel via Email
5. Cancel on Website

Reading time: 41 seconds

Cancel Seeing the Invisible Subscription on iPhone & iPad

1. On your phone, open "Settings" and tap your Apple ID profile.
2. Click "Subscriptions" and select "Seeing the Invisible".
3. Click "Cancel Subscription" and confirm the cancellation.

Alternative method via AppStore:

1. Goto the Appstore » your Profile » Subscriptions.
2. select "Seeing the Invisible" and click "Cancel Subscription".

Cancel Seeing the Invisible Subscription on Android

1. Launch the PlayStore app and click the hamburger menu icon.
2. Select "Subscriptions" » tap "Seeing the Invisible" » click "Cancel Subscription".
3. Your subscription to Seeing the Invisible will now be canceled.

Cancel Seeing the Invisible Subscription on PayPal

1. Sign in to your PayPal Account and click "Settings ".
2. Select "Payments" and click "Manage Automatic Payments".
3. Under Automatic Payments tab, click "Seeing the Invisible" or "Khora VR" » "Cancel".
4. You are now unsubscribed from Seeing the Invisible

Cancel Seeing the Invisible via Email

1. Open your email app
2. Provide all the relevant information regarding your account.
3. Provide a reason for the cancelation.
4. Send the email to info@redacted... Login to see email.

Cancel Subscription Directly on Seeing the Invisible's Website

1. Visit their website - https://khora.com and login to your account.
2. Goto your profile or account page and click "Billings" or "Subscriptions".
3. Click "Cancel" to remove your subscription.

1. Co-curators, Hadas Maor (curator of contemporary art) and Tal Michael Haring (virtual and augmented reality expert and curator) worked with the artists to select existing works as well as commission new ones, and to position these new experiential artworks in unique spots in each of the participating botanical gardens.

2. As viewers are invited to explore the botanical gardens and actively locate the artworks scattered throughout them, they must use technological devices to establish the digital works into existence and, in many cases, experience the way their own physical presence affects the work and changes its course, further exploring the interrelations between the "art object" and the self.

3. The participating gardens all present the same exhibition, but as the works are augmented into the unique surroundings and context of each garden, the exhibition is experienced differently against the backdrop of each location, and is constructed, as a whole, on different iterations of the same corpus of works.

4. Seeing the Invisible is an augmented reality contemporary art exhibition initiated by the Jerusalem Botanical Gardens in partnership with Outset Contemporary Art Fund, with the support of the Jerusalem Foundation.

5. Setting these digital experiences inside botanical gardens, without disturbing the preservations, and keeping the carbon footprint to a minimum, the exhibition addresses themes pertaining to nature, environment, and sustainability and explores the boundaries and connections between art, technology, and nature.

6. Since the works cannot be experienced online, but require viewers to physically visit the gardens, they offer a "phygital" experience combining the physical location and the digital manifestation.

7. The exhibition can only be viewed upon visiting the participating botanical gardens and through the Seeing the Invisible mobile app developed for this project.

8. The first exhibition of its kind to be developed in collaboration with botanical gardens, it will open and be on view simultaneously at twelve different gardens around the world.

9. As institutions holding documented collections of living plants for the purpose of scientific research, conservation, display, and education, botanical gardens are hybrids in their own right, blending nature and cultivation, order and coincidence.

10. An open-air exhibition, Seeing the Invisible continues the efforts to present and discuss art in the current pandemic crisis, while also allowing local communities to be exposed to the forefront of international contemporary art.

11. Thus, the exhibition invites viewers to also contemplate contemporary notions relating to site and non-site, physical and digital realms.

12. The exhibition features thirteen augmented reality (AR) works by established artists from various countries.

13. These geologically and geographically based works were part of Smithson’s ongoing radical challenge of the limits of sculptural practice, and paved the way for his most ambitious work, Spiral Jetty (1970).